Authenticity

My dance class had a guest teacher who is a renowned Flamenco dancer of thirty years performance experience. In Flamenco, although young dancers are admired for their speed and agility, they are not considered to have the emotional maturity to adequately convey the duende or soul of true dance. The most respected Flamenco dancers are the older dancers who long ago mastered their technique and now perhaps do less with their body but much more with their soul. Continue reading “Authenticity”

The Energy Centres

One day, in my second year of ballroom dancing, I was dancing the Tango with one of my earlier teachers. Suddenly, I became aware of how active the chakra centres are in dancing. I refrained from mentioning this discovery to my then-teacher but only barely refrained. I had to remind myself that dancers are generally not spiritual students versed in the Eastern traditions. In the traditional ballroom holds, both bodies are touching or almost touching at numerous points and the hands are also touching. Combine the human hands and the chakra points of the individual and you have an open access for the flow of energy between two receptive people. Continue reading “The Energy Centres”