Enanika – Donna Goddard

January 27, 2026January 27, 2026

Enanika: Anu Answering to Anna

Here’s the next section of Enanika, the visionary fiction I’m currently writing. But first, let’s take a look at the book so far.

Enanika follows Anu, a female from an advanced planet that resembles Earth. She comes here on a mission and must live within the density of our dimensions while maintaining her Nanik consciousness.

Alongside her is Enlan, also from Enanika. Unlike Anu, he adapts quickly to life on Earth. He works, relates, and lives as people do here. They were not meant to be on Earth at the same time — yet life had other plans.

Chapter 13: Taking a Train Ride

Naniks are used to time travel. They often play with it during their inter-dimensional ventures. However, as a general rule, they return to their “set” age — whatever technical age they currently hold on Enanika.

They do not experience time as a straight line. Past and future are not understood as places far behind or far ahead, even though Naniks sometimes speak about them that way for ease of communication. Time is viewed as something immediate and concurrent.

Like a train journey.

Imagine sitting on one of those old country trains — the kind with wooden seats and a gentle rocking motion. Outside the window, fields slide past. Small farms appear and disappear. A quiet town drifts into view, and for a moment, you glimpse a baker’s shop or a person standing in a garden. Some stations pass without stopping. At others, the train pauses briefly, just long enough to notice children waving, or someone waiting on the platform.

All of these scenes exist at once, stretched out across the land. The train doesn’t create them. It simply allows you to see them one by one. The one-by-one sequence gives the illusion of time passing.

January 24, 2026January 24, 2026

Enanika: When Time Does the Travelling

Here are the next chapters of the book I’m currently writing — Enanika: Visionary Fiction. As the summer crowds leave Milkwood, Anu feels the gap between herself and Enlan growing. Enlan sinks further into Earth life, and his connection to Enanika is slipping. Anu continues her astral journeys to the Hermitage of Ling-Shi-La, a place beyond time. But on this visit, she encounters an unexpected problem — one that will add to the tension already unfolding between her and Enlan.

Chapter 10: Earth Bound

Three months had passed.

It was approaching the end of January, and Milkwood exhaled. The summer holiday deluge of Christmas, New Year, and the long school break eased as the new school year drew closer.

In the cafe, orders came a little more slowly. People stood at the counter a little longer. There were more familiar faces and fewer unfamiliar ones.

Milkwood always had visitors. It was that kind of town. On any given day, there were groups of women in their fifties on weekend getaways, walking slowly, laughing loudly, lingering over menus. There were young couples who had driven out from the city for a second or third date, treating the drive as part of the special romance. There were thirty-year-old dreamers who peered out cafe windows and imagined their one-day move to the country. There were older couples — well-dressed, unhurried — moving in and out of shops, touching things, considering, buying art and luxuries. And there were honeymooners.

December 11, 2025January 24, 2026

Enanika: Visionary Fiction—The Roof of the World

In Chapters 8 and 9 of Enanika, Anu is drawn far beyond the quiet streets of Milkwood into one of the most ancient spiritual landscapes on Earth — Tibet, the roof of the world. At the Hermitage of Ling-Shi-La and later at the Sanctuary of Zamsar, she encounters a living spiritual lineage that once shaped, and still shapes, the energetic evolution of Earth. These chapters move between worlds — Milkwood and the Himalayas, present and past — revealing doorways into the sacred. While the Hermitage offers transmission, the Sanctuary offers a love story.

Chapter 8: The Hermitage of Ling-Shi-La

Anu’s day in Milkwood had been simple: a short shift at the cafe, a quiet walk home, and the soft murmuring of Fat Cow Creek as she settled into bed. She didn’t exactly slip into sleep. Instead, she slipped out of her body.

The heaviness of Earth fell away. The rolling hills of Milkwood faded into the distance. She was astral travelling, moving through layers of light — a thin veil. The air thickened again. Weight entered her limbs. Her feet struck solid ground. She inhaled sharply and felt cold air.

Her body had reformed on a narrow path carved into a cliff face. Below was a drop so deep the bottom dissolved into haze. Huge rocks jutted outward, shielding her ledge from the worst of the icy hurricane gusts. A voice rose from the cliffs below, steady and calm.

“Downwards, child. Not upwards. The path is here.”

November 22, 2025January 21, 2026

Enanika: Visionary Fiction—The Earth Crossing

A rainbow crossing, a chai, and a familiar face — Anu’s first real steps on Earth begin.

We’ve spent the beginning five chapters of Enanika travelling with Anu through the fascinating, vibrant world of Enanika—watching her prepare for her first solo mission, learning about Contact Callers, and witnessing the mystic power of the Seed-of-Life sculpture, the living geometry capable of carrying a being from one realm to another.

Now, in Chapters 6 and 7, Anu steps into Milkwood—a thriving rural town of mineral springs and rainbow crossings, a haven for artists, healers, LGBTQ+ folk, and colourful nonconformists. Here, she begins her Earth-life in earnest, navigating some very human challenges and meeting someone she never expected to find on this planet.

Chapter 6: Milkwood

On Earth:

Milkwood hadn’t always been the colourful, open-hearted, and open-minded place Anu was stepping into. For most of its history, it was a regular country town—quiet, modest, shaped by old farming families and the remnants of a brief gold rush that had fizzled out more than a century ago. The land held stories of hard work, family orchards, and sheep, cattle, and dairy farms. People came and went, but nothing much changed. Milkwood was the kind of place where everyone knew everyone else, and new ideas arrived slowly, if at all.

November 15, 2025January 21, 2026

Enanika: Visionary Fiction—Seed of Life

In Chapters 4 and 5 of Enanika, we learn of the ancient Seed of Life sculpture and the frequency technology that links worlds. Anu discovers that Earth carries a more intimate connection to Enanika than she realised.

Chapter 4: Seed of Life Sculpture

Closing the door of her cottage, with one last lingering look at her cosy, dear home, Anu greeted the callboy.

“Morning. You’re early.”

“Never early or late,” he replied with a wink. “Always right on time.”

She fell into step beside him as they walked towards the hilltop. The air was still and honey-scented. The moss beneath them was soft, absorbing the sound of their footsteps.

“I see you’re travelling via the Seed of Life sculpture,” said the callboy. “Not a ship?”

“I prefer the subtle to the showy,” said Anu.

November 9, 2025January 21, 2026

Enanika: Visionary Fiction—Shifting Orbits

In Chapters 2 and 3 of Enanika, we move further into Anu’s world. Something is shifting — the theatrical callboy appears more often than chance would allow. As Anu prepares for her journey, the threads of a larger unfolding begin to unravel.

Chapter 2: Shifting Orbits

As Anu was about to make her way home, she thought she saw the callboy at the far end of the market. He was a distinctive figure in a red, old-fashioned theatrical coat and a feathered hat. A sash was draped across his shoulder, patterned with the shifting glyphs of destination points. She had seen him a few times lately, each sighting sooner than the last. That meant the time was fast approaching. There were many callboys, callgirls, and call-creatures, but the one for Earth was the theatrical callboy.

The homeward path was lined with trees whose leaves shimmered with inner light. Anu’s home was built of wood and stone, and, like most others, merged seamlessly with the landscape. Inside, the furnishings were made of a nano-material that changed form as needed. A table, chairs, and bed would materialise when required, then dissolve back into the wall when not.

Anu put her vegetables into a bowl, which cooked them instantly, each to its own unique requirements. She sat in her soft mauve chair, eating her meal, gazing out the window, and mentally preparing for her upcoming trip to Earth.

Even though it was her choice — and her excitement — to go, it wasn’t an easy adventure. Just to be offered the opportunity, she had to prove she was capable. Had the elders deemed the mission detrimental to her, they would have suggested a different destination — an “easier”, more evolved planet — or extended her training.

Her preparation for Earth had spanned many years. Although Anu had already completed several supervised visits to Earth, this would be her first time travelling alone.

November 3, 2025January 21, 2026

Enanika: Visionary Fiction—The Marketplace

🌍✨ A new story begins…

It’s always an exciting moment to begin a new story.
Here is the start of my new fiction series, Enanika.
It carries the same mystical, otherworldly tone as the Waldmeer Series—yet it’s set in a completely different world. 🌿🕊️

In the opening chapter of Enanika, we meet Anu in her natural world — a peaceful, advanced planet where telepathy is normal, harmony is effortless, and daily life moves with an inner hum of presence.

Chapter 1: The Marketplace

Moving with untroubled ease through the open-air market, Anu’s short chestnut bob brushed just above her shoulders. Sunlight caught her blue eyes, clear as the surface of a calm mountain lake.

Anu was thirty-three.

On Enanika, age does not carry the same weight as it does on Earth. Time is not something accumulated so much as something moved within. Even so, there is a specialness about thirty-three in both worlds. On Earth, it marks the settling of adulthood, when certain things — for good or bad — begin to solidify. On Enanika, it is also a threshold: a time when what had been practised, learned, and played with can now be lived, explored, and embodied in new, profound, and challenging ways. It is a gateway.