Here is one of the chapters from my newly published book, Writing: A Spiritual Voice. The image is the original cover of The Love of Devotion which this article refers to.
A few days before the photo shoot for the book cover of The Love of Devotion (2014), I suddenly had the idea to wear a large, white, silk veil over my body and head. The veil is a universal representation of feminine spiritual devotion. It is ancient and transcultural. It represents the core qualities of spiritual love and inner beauty. It has its own particular manifestations in each religion, but is always equated with humility before God, devotion to goodness, and commitment to the spiritual path. My natural self is highly devotional. As a Westerner, and a raised Catholic, the archetypal symbol was probably arising from the stereotypic Catholic nun.
This is the first chapter from my newly published book, Writing: A Spiritual Voice.
Like many people, I have always written. Like most people who write, I had no intention of being an author. I remember, as a young adult, a university friend telling me that my birthday and Christmas cards were so long that they were like a book. Later, in my mid-thirties, another friend told me, several times, that I could write a book about my life. I didn’t think anything of that because everyone’s life is interesting to themselves because they are the star.
Writing is a long-term career. It takes a lot of time, money, perseverance, learning, and soul. Making a mark as a writer and having an influence in the world is a process which generally accelerates slowly.
Trust your instincts.
Go with the flow.
Do your best.
If you know that the spiritual voice is in you, and you would like greater access to it as a writer, then Writing: A Spiritual Voice can help you to develop your capacity to hear and heed that voice.
May we be grateful for everything good. Good IS everything. May we remember that God is the only Love. May our eyes radiate nonconditional benevolence. May our awareness be of spiritual perfection. May our freedom be boundless. May we know the loveliness of love. May the Divine presence fill our consciousness. May we feel the magnificent capacity of Life. May our touch be uplifting. May our influence be a blessing. May we feel the immensity of Divinity. May we know the sublime Love that we are part of. May it sustain us. It IS us.
Here is the next part of Purnima (Book 7 of Waldmeer)
Twenty Mile Track
It was midweek and midwinter, and that meant that there were not many tourists in Waldmeer. It also meant, on this early morning, that Twenty Mile Track was deserted.
The track started on the beach, at Waldmeer Boathouse Cafe, continued over the swing bridge, and then followed the river into the forested Lelek hills. The river quickly thinned its waistline into a more manageable, bubbling, green-flanked waterway. The Purnima Passage clearing was at an early point of the track. There was no huge ball of light there today. It only lit up once a month. And only, Merlyn assumed, for those who had eyes to see. Whenever Merlyn passed through the clearing, to walk further along the track, she could sense its simmering power. Laying low; but definitely not absent.
Here is the next part of Purnima (Book 7 of Waldmeer).
“At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is,” (T. S. Eliot)
Mr Peen’s Fire
Next full moon, Merlyn found herself not at Ajna Temple (the Manipura Dancers and Waldmeer Warriors collaboration had been postponed), nor at Purnima Passage. In fact, she wasn’t anywhere in Waldmeer. She was tossing and turning on Tom’s uncomfortable sofa bed in the city. It was Friday, and that meant adult ballet class, at the State Ballet, and then a visit to Tom & Hardy.
This short story (written in 2016) is in my newly published book, Touched by Love (Book 2 of The Great Love Affair Series).
Man cannot really live without attachments, but mostly we are reaching for the wrong attachment. (Thomas Hora)
Isobel watched Benedict walk unsteadily down his driveway towards the builders in the backyard. He hadn’t dressed properly. He had no underwear on and his track pants were ripped so that anyone who looked (perhaps, it was impossible not to look) could see his backside. Somehow, it was still a great looking backside for all that he had put his body through in recent years. There was no point telling him that he hadn’t dressed properly. He was too sick. Along the way, things like dignity get lost.
Here is the next part of Purnima (Book 7 of Waldmeer): Gum Flat.
Have you seen the bush by moonlight, from the train, go running by? Blackened log and stump and sapling, ghostly trees all dead and dry; Here a patch of glassy water; there a glimpse of mystic sky? Have you heard the still voice calling — yet so warm, and yet so cold: “I’m the Mother-Bush that bore you! Come to me when you are old”?
Did you see the Bush below you sweeping darkly to the Range, All unchanged and all unchanging, yet so very old and strange! While you thought in softened anger of the things that did estrange? (Did you hear the Bush a‑calling, when your heart was young and bold: “I’m the Mother-Bush that nursed you; come to me when you are old”?)
In the cutting or the tunnel, out of sight of stock or shed, Did you hear the grey Bush calling from the pine-ridge overhead: “You have seen the seas and cities — all is cold to you, or dead — All seems done and all seems told, but the grey-light turns to gold! I’m the Mother-Bush that loves you — come to me now you are old”?
(On The Night Train by Henry Lawson)
On the way to Gum Flat:
Merlyn read the Henry Lawson poem which was on the wall of the night train to Gum Flat. Written in 1922, the year of Lawson’s passing, it was his last poem. She looked out the dark window at the even darker bush running by and felt a profound sense of belonging and also a profound sense of separation – Have you heard the still voice calling — yet so warm, and yet so cold. It was the same land that Lawson saw, wrote about, and loved. This land doesn’t really change. It is too vast, ancient, detached, motherly. All unchanged and all unchanging, yet so very old and strange.
Here is the next part of Purnima (Book 7 of Waldmeer)
Urgent and Confidential
It was late morning before there was enough sun, on this biting mid-June morning, for Merlyn to sit outside her small rented flat. She sat there doing nothing, thinking nothing, staring at the sea below. This spot was the only place, at her home, where she could see the sea. It was worth sitting in the cold – coat, beanie, scarf, gloves. Anyway, cold or not, being outside always seems to change our perspective. It changes things that can best do with a change. The wind dismantles the heaviness, the light reorients the mind, the greenness invigorates hope, and the entire majestic dynamic of nature reminds us of our insignificance and also of our absolute significance.
Eventually, Merlyn checked her emails and read one from Prana Community marked Urgent and Confidential.