Enanika: Anu Answering to Anna

Here’s the next section of Enanika, the visionary fiction I’m currently writing. But first, let’s take a look at the book so far.

Enanika follows Anu, a female from an advanced planet that resembles Earth. She comes here on a mission and must live within the density of our dimensions while maintaining her Nanik consciousness.

Alongside her is Enlan, also from Enanika. Unlike Anu, he adapts quickly to life on Earth. He works, relates, and lives as people do here. They were not meant to be on Earth at the same time — yet life had other plans.

Chapter 13: Taking a Train Ride

Naniks are used to time travel. They often play with it during their inter-dimensional ventures. However, as a general rule, they return to their “set” age — whatever technical age they currently hold on Enanika.

They do not experience time as a straight line. Past and future are not understood as places far behind or far ahead, even though Naniks sometimes speak about them that way for ease of communication. Time is viewed as something immediate and concurrent.

Like a train journey.

Imagine sitting on one of those old country trains — the kind with wooden seats and a gentle rocking motion. Outside the window, fields slide past. Small farms appear and disappear. A quiet town drifts into view, and for a moment, you glimpse a baker’s shop or a person standing in a garden. Some stations pass without stopping. At others, the train pauses briefly, just long enough to notice children waving, or someone waiting on the platform.

All of these scenes exist at once, stretched out across the land. The train doesn’t create them. It simply allows you to see them one by one. The one-by-one sequence gives the illusion of time passing.

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Enanika: When Time Does the Travelling

Here are the next chapters of the book I’m currently writing — Enanika: Visionary Fiction. As the summer crowds leave Milkwood, Anu feels the gap between herself and Enlan growing. Enlan sinks further into Earth life, and his connection to Enanika is slipping. Anu continues her astral journeys to the Hermitage of Ling-Shi-La, a place beyond time. But on this visit, she encounters an unexpected problem — one that will add to the tension already unfolding between her and Enlan.

Chapter 10: Earth Bound

Three months had passed. 

It was approaching the end of January, and Milkwood exhaled. The summer holiday deluge of Christmas, New Year, and the long school break eased as the new school year drew closer. 

In the cafe, orders came a little more slowly. People stood at the counter a little longer. There were more familiar faces and fewer unfamiliar ones. 

Milkwood always had visitors. It was that kind of town. On any given day, there were groups of women in their fifties on weekend getaways, walking slowly, laughing loudly, lingering over menus. There were young couples who had driven out from the city for a second or third date, treating the drive as part of the special romance. There were thirty-year-old dreamers who peered out cafe windows and imagined their one-day move to the country. There were older couples — well-dressed, unhurried — moving in and out of shops, touching things, considering, buying art and luxuries. And there were honeymooners. 

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Enanika: Visionary Fiction—The Earth Crossing

A rainbow crossing, a chai, and a familiar face — Anu’s first real steps on Earth begin.

We’ve spent the beginning five chapters of Enanika travelling with Anu through the fascinating, vibrant world of Enanika—watching her prepare for her first solo mission, learning about Contact Callers, and witnessing the mystic power of the Seed-of-Life sculpture, the living geometry capable of carrying a being from one realm to another.

Now, in Chapters 6 and 7, Anu steps into Milkwood—a thriving rural town of mineral springs and rainbow crossings, a haven for artists, healers, LGBTQ+ folk, and colourful nonconformists. Here, she begins her Earth-life in earnest, navigating some very human challenges and meeting someone she never expected to find on this planet.

Chapter 6: Milkwood

On Earth:

Milkwood hadn’t always been the colourful, open-hearted, and open-minded place Anu was stepping into. For most of its history, it was a regular country town—quiet, modest, shaped by old farming families and the remnants of a brief gold rush that had fizzled out more than a century ago. The land held stories of hard work, family orchards, and sheep, cattle, and dairy farms. People came and went, but nothing much changed. Milkwood was the kind of place where everyone knew everyone else, and new ideas arrived slowly, if at all. 

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Enanika: Visionary Fiction—Seed of Life

In Chapters 4 and 5 of Enanika, we learn of the ancient Seed of Life sculpture and the frequency technology that links worlds. Anu discovers that Earth carries a more intimate connection to Enanika than she realised.

Chapter 4: Seed of Life Sculpture

Closing the door of her cottage, with one last lingering look at her cosy, dear home, Anu greeted the callboy.

“Morning. You’re early.”

“Never early or late,” he replied with a wink. “Always right on time.”

She fell into step beside him as they walked towards the hilltop. The air was still and honey-scented. The moss beneath them was soft, absorbing the sound of their footsteps.

“I see you’re travelling via the Seed of Life sculpture,” said the callboy. “Not a ship?”

“I prefer the subtle to the showy,” said Anu.

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The Secret Battle

This section in Faith (Book 4 of the Waldmeer Series) came from a detailed dream.

Faith was in a type of battle. At one critical point, she decided that she must venture on alone. Knowing that her friends would be unwilling to return to safety without her, she told them they must take the children to safety and that she would return soon. She also told them she would use the magic golden armour she possessed. While wearing it, she could not be hurt. Reluctantly, her friends agreed and let her go on alone. 

When Faith arrived at the edge of the space where she would face the enemy, she felt the armour was terribly heavy and cumbersome. She didn’t want to wear it, but she would be completely vulnerable without it. A group of little birds arrived. They were very similar to the sweet ones that always accompanied Mullum-Mullum. They told her that wearing the magic protective armour would do more harm than good. 

“Take it off, take it off,” the little birds repeated. 

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The Waldmeer Series is Now Available in 3 Convenient Combined Paperbacks

The 7-book Waldmeer Series: A Spiritual Fiction Series is now available in 3 convenient combined paperbacks (each one containing several books).

Don’t think a spiritual series pussyfoots around life. On the contrary, it looks at life and people honestly. What would be the point of a spiritual path if it didn’t understand the nature of life? It knows the problems. It also has some answers, but those answers can only be seen by those who are aching to see them.

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