Enanika: When Time Does the Travelling

Here are the next chapters of the book Iโ€™m currently writing โ€”ย Enanika: Visionary Fiction. As the summer crowds leave Milkwood, Anu feels the gap between herself and Enlan growing. Enlan sinks further into Earth life, and his connection to Enanika is slipping. Anu continues her astral journeys to the Hermitage of Ling-Shi-La, a place beyond time. But on this visit, she encounters an unexpected problem โ€” one that will add to the tension already unfolding between her and Enlan.

Chapter 10: Earth Bound

Three months had passed. 

It was approaching the end of January, and Milkwood exhaled. The summer holiday deluge of Christmas, New Year, and the long school break eased as the new school year drew closer. 

In the cafe, orders came a little more slowly. People stood at the counter a little longer. There were more familiar faces and fewer unfamiliar ones. 

Milkwood always had visitors. It was that kind of town. On any given day, there were groups of women in their fifties on weekend getaways, walking slowly, laughing loudly, lingering over menus. There were young couples who had driven out from the city for a second or third date, treating the drive as part of the special romance. There were thirty-year-old dreamers who peered out cafe windows and imagined their one-day move to the country. There were older couples โ€” well-dressed, unhurried โ€” moving in and out of shops, touching things, considering, buying art and luxuries. And there were honeymooners. 

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Enanika: Visionary Fictionโ€”The Roof of the World

In Chapters 8 and 9 of Enanika, Anu is drawn far beyond the quiet streets of Milkwood into one of the most ancient spiritual landscapes on Earth โ€” Tibet, the roof of the world. At the Hermitage of Ling-Shi-La and later at the Sanctuary of Zamsar, she encounters a living spiritual lineage that once shaped, and still shapes, the energetic evolution of Earth. These chapters move between worlds โ€” Milkwood and the Himalayas, present and past โ€” revealing doorways into the sacred. While the Hermitage offers transmission, the Sanctuary offers a love story.

Chapter 8: The Hermitage of Ling-Shi-La

Anuโ€™s day in Milkwood had been simple: a short shift at the cafe, a quiet walk home, and the soft murmuring of Fat Cow Creek as she settled into bed. She didnโ€™t exactly slip into sleep. Instead, she slipped out of her body. 

The heaviness of Earth fell away. The rolling hills of Milkwood faded into the distance. She was astral travelling, moving through layers of light โ€” a thin veil. The air thickened again. Weight entered her limbs. Her feet struck solid ground. She inhaled sharply and felt cold air. 

Her body had reformed on a narrow path carved into a cliff face. Below was a drop so deep the bottom dissolved into haze. Huge rocks jutted outward, shielding her ledge from the worst of the icy hurricane gusts. A voice rose from the cliffs below, steady and calm. 

โ€œDownwards, child. Not upwards. The path is here.โ€

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Enanika: Visionary Fictionโ€”The Earth Crossing

A rainbow crossing, a chai, and a familiar face โ€” Anuโ€™s first real steps on Earth begin.

Weโ€™ve spent the beginning five chapters of Enanika travelling with Anu through the fascinating, vibrant world of Enanikaโ€”watching her prepare for her first solo mission, learning about Contact Callers, and witnessing the mystic power of the Seed-of-Life sculpture, the living geometry capable of carrying a being from one realm to another.

Now, in Chapters 6 and 7, Anu steps into Milkwoodโ€”a thriving rural town of mineral springs and rainbow crossings, a haven for artists, healers, LGBTQ+ folk, and colourful nonconformists. Here, she begins her Earth-life in earnest, navigating some very human challenges and meeting someone she never expected to find on this planet.

Chapter 6: Milkwood

On Earth:

Milkwood hadnโ€™t always been the colourful, open-hearted, and open-minded place Anu was stepping into. For most of its history, it was a regular country townโ€”quiet, modest, shaped by old farming families and the remnants of a brief gold rush that had fizzled out more than a century ago. The land held stories of hard work, family orchards, and sheep, cattle, and dairy farms. People came and went, but nothing much changed. Milkwood was the kind of place where everyone knew everyone else, and new ideas arrived slowly, if at all. 

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Enanika: Visionary Fictionโ€”Seed of Life

In Chapters 4 and 5 of Enanika, we learn of the ancient Seed of Life sculpture and the frequency technology that links worlds. Anu discovers that Earth carries a more intimate connection to Enanika than she realised.

Chapter 4: Seed of Life Sculpture

Closing the door of her cottage, with one last lingering look at her cosy, dear home, Anu greeted the callboy.

โ€œMorning. Youโ€™re early.โ€

โ€œNever early or late,โ€ he replied with a wink. โ€œAlways right on time.โ€

She fell into step beside him as they walked towards the hilltop. The air was still and honey-scented. The moss beneath them was soft, absorbing the sound of their footsteps.

โ€œI see youโ€™re travelling via the Seed of Life sculpture,โ€ said the callboy. โ€œNot a ship?โ€

โ€œI prefer the subtle to the showy,โ€ said Anu.

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Enanika: Visionary Fictionโ€”Shifting Orbits

In Chapters 2 and 3 of Enanika, we move further into Anuโ€™s world. Something is shifting โ€” the theatrical callboy appears more often than chance would allow. As Anu prepares for her journey, the threads of a larger unfolding begin to unravel.

Chapter 2: Shifting Orbits

As Anu was about to make her way home, she thought she saw the callboy at the far end of the market. He was a distinctive figure in a red, old-fashioned theatrical coat and a feathered hat. A sash was draped across his shoulder, patterned with the shifting glyphs of destination points. She had seen him a few times lately, each sighting sooner than the last. That meant the time was fast approaching. There were many callboys, callgirls, and call-creatures, but the one for Earth was the theatrical callboy.

The homeward path was lined with trees whose leaves shimmered with inner light. Anuโ€™s home was built of wood and stone, and, like most others, merged seamlessly with the landscape. Inside, the furnishings were made of a nano-material that changed form as needed. A table, chairs, and bed would materialise when required, then dissolve back into the wall when not. 

Anu put her vegetables into a bowl, which cooked them instantly, each to its own unique requirements. She sat in her soft mauve chair, eating her meal, gazing out the window, and mentally preparing for her upcoming trip to Earth. 

Even though it was her choice โ€” and her excitement โ€” to go, it wasnโ€™t an easy adventure. Just to be offered the opportunity, she had to prove she was capable. Had the elders deemed the mission detrimental to her, they would have suggested a different destination โ€” an โ€œeasierโ€, more evolved planet โ€” or extended her training. 

Her preparation for Earth had spanned many years. Although Anu had already completed several supervised visits to Earth, this would be her first time travelling alone.

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Enanika: Visionary Fictionโ€”The Marketplace

๐ŸŒโœจ A new story begins…

Itโ€™s always an exciting moment to begin a new story.
Here is the start of my new fiction series, Enanika.
It carries the same mystical, otherworldly tone as the Waldmeer Seriesโ€”yet it’s set in a completely different world. ๐ŸŒฟ๐Ÿ•Š๏ธ

In the opening chapter of Enanika, we meet Anu in her natural world โ€” a peaceful, advanced planet where telepathy is normal, harmony is effortless, and daily life moves with an inner hum of presence.

Chapter 1: The Marketplace

Moving with untroubled ease through the open-air market, Anuโ€™s short chestnut bob brushed just above her shoulders. Sunlight caught her blue eyes, clear as the surface of a calm mountain lake. 

Anu was thirty-three.

On Enanika, age does not carry the same weight as it does on Earth. Time is not something accumulated so much as something moved within. Even so, there is a specialness about thirty-three in both worlds. On Earth, it marks the settling of adulthood, when certain things โ€” for good or bad โ€” begin to solidify. On Enanika, it is also a threshold: a time when what had been practised, learned, and played with can now be lived, explored, and embodied in new, profound, and challenging ways. It is a gateway.

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The 4-book Nanima Series is Now Complete

The fourth and final book of the Nanima SeriesThe Flat, is now complete and available. It is deeply satisfying to finish not just The Flat, but the whole series, which has been a friend, confidant, and challenge for the past four years.

Spanning four deeply personal and spiritually rich booksโ€”Nanima, Geboor, Sonder, and The Flatโ€”the series follows Maliyan, an insightful and grounded seeker whose path unfolds across the quiet towns and wild landscapes of rural Australia.

The first book, Nanima, was inspired by the rural area my family comes from in NSW, Australia. When I began writing the second book, Geboor, I moved from the city to country Victoria. It and the following books were shaped by the two rural towns Iโ€™ve lived in since then.

Alongside Maliyan are Lunaโ€”intuitive, witty, and playfully avoidant as he learns to love trulyโ€”and Bell-Bell, whose brilliance and volatility reflect the challenges of change and the yearning for wholeness.

The Nanima Series offers not just a story, but a spiritual companion. It invites you to walk the path of growth, to listen deeply to the land and your own spirit, and to remember that evolution is both quiet and profound. 

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Waldmeerโ€™s Cast

๐ŸŒฟ Waldmeer Series โ€“ Main Character Analysis

Spanning all seven books: Waldmeer, Together, Circles of Separation, Faith, Pittown, Prana, Purnima


Faith-Amira

The spiritual core of the series. A woman who embodies the bridge between personal healing and divine service. She is a seeker and spiritual teacher, and eventually transcends her physical role, continuing to influence the narrative as a spiritual presence. Her arc moves from individual answers to transpersonal, universal devotion. She holds the energetic field of Waldmeer and all its transformations.

  • Archetype: Divine Feminine / High Priestess
  • Trajectory: Grounded healer โ†’ Surrendered mystic โ†’ Ascended guide
  • Symbolic Function: Catalyst for awakening; embodiment of unconditional love

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The Flat (Book 4 of Nanima Series): Paperboy (Chapters 1 to 2)

Here is the beginning of The Flat (Book 4 of the Nanima Series).

PAPERBOY

Chapter 1: Happy Dreams

โ€œHappy dreams,โ€ said Luna as he opened the bedroom door for Iggy to enter. 

โ€œSleep well,โ€ said Maliyan as she headed for the bathroom. 

โ€œI will,โ€ said Luna. โ€œThe night is so quiet at your house that I feel like Iโ€™m in a cocoon.โ€

He was used to the hustle and bustle, traffic and horns, yelling and late-night laughing of inner-city life.

At the end of his Christmas holiday break, Luna was ready to tell Maliyan that he never left for the northern city and was still in the southern one near her. When he initially decided to move back north, he gave notice on his flat. By the time he decided that he was no longer going, his flat had been leased to someone else, so he was homeless. Maliyan offered him her spare room, assuming he wouldnโ€™t take it. He did take it. The last time they lived together was summer, two years ago, in Nanima, in the shophouse of Luna Tiks.

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Sonder (Book 3 of Nanima Series) has Been Published!

Sonder (Book 3 of Nanima Series) has now been published! It is available as an e-book and paperback, and the audiobook will soon be published.

When you are closest to making a breakthrough in your personal growth, your fear throws up the greatest intensity. It will do whatever it can to deter you from moving ahead. That is the nature of human consciousness and growth. If you succumb to its frightening and treacherous threats, pick yourself up and try again. With perseverance, your fear will exit the scene, and you will be standing in a sparkling new world. The problems encountered by those closest to Maliyan intensify as their paths intertwine more densely and their individual journeys traverse sinuous inner terrain. The rhythm and beauty of the natural environment around them comforts and pushes them ever onwards.โ€”Sonder

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