In Chapters 2 and 3 of Enanika, we move further into Anu’s world. Something is shifting — the theatrical callboy appears more often than chance would allow. As Anu prepares for her journey, the threads of a larger unfolding begin to unravel.
Chapter 2: Shifting Orbits
As Anu was about to make her way home, she thought she saw the callboy at the far end of the market. He was a distinctive figure in a red, old-fashioned theatrical coat and a feathered hat tilted slightly—playful but precise. A sash was draped across his shoulder, patterned with the shifting glyphs of destination points. She had seen him a few times lately, each sighting sooner than the last. That meant the time was fast approaching. There were many callboys, callgirls, and call-creatures, but the one for Earth was the theatrical callboy.
The homeward path was lined with trees whose leaves shimmered with inner light. Anu’s home was built of wood and stone, and, like most others, merged seamlessly with the landscape. Inside, the furnishings were made of a nano-material that changed form as needed. A table, chairs, and bed would materialise when required, then dissolve back into the wall when not.
Anu put her vegetables into a bowl, which cooked them instantly, each to its own unique requirements. She sat in her soft mauve chair, eating her meal, gazing out the window, and mentally preparing for her upcoming trip to Earth.
Continue reading “Enanika: Visionary Fiction—Shifting Orbits”
