Here is the beginning of Purnima (Book 7 of Waldmeer)!
Seeing the Totality
A full moon evening, late in May, in Waldmeer:
Purnima means full moon. Full moons are auspicious occasions for new beginnings, and so we begin; again. Merlyn and Gabriel stood awkwardly at the entrance of Twenty Mile Track. Awkward because they barely knew each other, and this seemed too big an adventure for virtual strangers. Nevertheless, there they were, brought together by some unknown force.
Two months had passed. It was still winter but no one in Gabriel and Amira’s Dementia Unit dance class was cold. Everyone was hot and pumping jive. The class had come to an equilibrium of its own accord. Gabriel was given notes from the “proper” dance instructors, although, somewhat begrudgingly. The notes were enough to give a loose direction and Wolfgang and Madeline would demonstrate the technical elements of each dance for anyone interested. Although Madeline’s mind could not remember the technique, her body remembered perfectly well the movements she had practised for so many years. Lacking in technical knowledge, Gabriel and Amira decided to go with transferring the feeling of each dance and giving their students an immersive experience. Basically, all that meant was turning the music up and dancing enthusiastically with the class members in, more or less, the appropriate style.
A few years ago, when Amira first returned to Waldmeer from Eraldus, she had an unfortunate experience with a Waldmeer couple, Oswald and Billy. They were domestic and business partners and owned the upmarket Hattery in the main street of Waldmeer. It wasn’t exactly in the main shopping strip. A narrow path between the brick walls of two buildings led to a plain, black door which was the entrance to the exclusive shop. It didn’t have a sign.
Amira was carrying the last of the art supplies from Gabriel’s car down the winding track to the bungalow. Gabriel had been driving to Waldmeer for the previous few weekends as he was keen to fix up the bungalow as a country studio.
“Thanks a lot, Maria,” said Gabriel. “Anywhere on the floor is fine.”
“Okay,” said Amira. “I’ll leave you to it. I’m sure you have lots to do.”
She turned for the door which was only two steps away. The entire length of the bungalow was no more than ten steps, probably eight of Gabriel’s. It was just enough room for a bed and a small kitchen table. One single cupboard and sink made up the kitchen. Next door was a tiny room with an old but adequate bathroom. Running along one entire wall was Gabriel’s art and sculpting equipment. As the floor was uneven, he had bits of wood underneath everything. It was a constant reshuffle of the wood to try and get the structures stable.
The overriding theme of Waldmeer is what is love? It is considered from both a spiritual and human perspective. Sex is an ongoing, underlying interest/tension for many of the characters as it is in real life. We will look at this topic via Maria’s relationships with the main characters. There are several different types of sexual orientations in Waldmeer: Farkas is a heterosexual man, Gabriel is a bisexual man, Charlie is a gay female, and Maria is a heterosexual female. However, her spirit counterpart, Amira, tends to see things in a different manner.