Enanika: Visionary Fiction—The Earth Crossing

A rainbow crossing, a chai, and a familiar face — Anu’s first real steps on Earth begin.

We’ve spent the beginning five chapters of Enanika travelling with Anu through the fascinating, vibrant world of Enanika—watching her prepare for her first solo mission, learning about Contact Callers, and witnessing the mystic power of the Seed-of-Life sculpture, the living geometry capable of carrying a being from one realm to another.

Now, in Chapters 6 and 7, Anu steps into Milkwood—a thriving rural town of mineral springs and rainbow crossings, a haven for artists, healers, LGBTQ+ folk, and colourful nonconformists. Here, she begins her Earth-life in earnest, navigating some very human challenges and meeting someone she never expected to find on this planet.

Chapter 6: Milkwood

On Earth:

Milkwood hadn’t always been the colourful, open-hearted, and open-minded place Anu was stepping into. For most of its history, it was a regular country town—quiet, modest, shaped by old farming families and the remnants of a brief gold rush that had fizzled out more than a century ago. The land held stories of hard work, family orchards, and sheep, cattle, and dairy farms. People came and went, but nothing much changed. Milkwood was the kind of place where everyone knew everyone else, and new ideas arrived slowly, if at all. 

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Enanika: Visionary Fiction—Seed of Life

In Chapters 4 and 5 of Enanika, we learn of the ancient Seed of Life sculpture and the frequency technology that links worlds. Anu discovers that Earth carries a more intimate connection to Enanika than she realised.

Chapter 4: Seed of Life Sculpture

Closing the door of her cottage, with one last lingering look at her cosy, dear home, Anu greeted the callboy.

“Morning. You’re early.”

“Never early or late,” he replied with a wink. “Always right on time.”

She fell into step beside him as they began the walk towards the hilltop. The air was still and honey-scented. The moss beneath them was soft, absorbing the sound of their footsteps.

“I see you’re travelling via the Seed of Life sculpture,” said the callboy. “Not a ship?”

“I prefer the subtle to the showy,” said Anu.

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Enanika: Visionary Fiction—Shifting Orbits

In Chapters 2 and 3 of Enanika, we move further into Anu’s world. Something is shifting — the theatrical callboy appears more often than chance would allow. As Anu prepares for her journey, the threads of a larger unfolding begin to unravel.

Chapter 2: Shifting Orbits

As Anu was about to make her way home, she thought she saw the callboy at the far end of the market. He was a distinctive figure in a red, old-fashioned theatrical coat and a feathered hat tilted slightly—playful but precise. A sash was draped across his shoulder, patterned with the shifting glyphs of destination points. She had seen him a few times lately, each sighting sooner than the last. That meant the time was fast approaching. There were many callboys, callgirls, and call-creatures, but the one for Earth was the theatrical callboy.

The homeward path was lined with trees whose leaves shimmered with inner light. Anu’s home was built of wood and stone, and, like most others, merged seamlessly with the landscape. Inside, the furnishings were made of a nano-material that changed form as needed. A table, chairs, and bed would materialise when required, then dissolve back into the wall when not. 

Anu put her vegetables into a bowl, which cooked them instantly, each to its own unique requirements. She sat in her soft mauve chair, eating her meal, gazing out the window, and mentally preparing for her upcoming trip to Earth. 

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Enanika: Visionary Fiction—The Marketplace

🌍✨ A new story begins…

It’s always an exciting moment to begin a new story.
Here is the start of my new fiction series, Enanika.
It carries the same mystical, otherworldly tone as the Waldmeer Series—yet it’s set in a completely different world. 🌿🕊️

In the opening chapter of Enanika, we meet Anu in her natural world — a peaceful, advanced planet where telepathy is normal, harmony is effortless, and daily life moves with an inner hum of presence.

Chapter 1: The Marketplace

Anu moved with untroubled ease through the open-air market, her short chestnut bob brushing just above her shoulders. Sunlight caught her blue eyes, clear like the surface of a calm mountain lake. She looked about thirty, although many of the other adults did as well. So, it was unclear how old she really was.

Her earth-toned, flowing garments—soft linen pants and a knee-length dress—moved in sync with the subtle breeze and the rhythm of the marketplace. To most visitors, that rhythm seemed silent. But to the Naniks, the inhabitants of Enanika, it was a visceral presence, like a soft hum in the background. All Naniks were telepathic. 

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The 4-book Nanima Series is Now Complete

The fourth and final book of the Nanima SeriesThe Flat, is now complete and available. It is deeply satisfying to finish not just The Flat, but the whole series, which has been a friend, confidant, and challenge for the past four years.

Spanning four deeply personal and spiritually rich books—Nanima, Geboor, Sonder, and The Flat—the series follows Maliyan, an insightful and grounded seeker whose path unfolds across the quiet towns and wild landscapes of rural Australia.

The first book, Nanima, was inspired by the rural area my family comes from in NSW, Australia. When I began writing the second book, Geboor, I moved from the city to country Victoria. It and the following books were shaped by the two rural towns I’ve lived in since then.

Alongside Maliyan are Luna—intuitive, witty, and playfully avoidant as he learns to love truly—and Bell-Bell, whose brilliance and volatility reflect the challenges of change and the yearning for wholeness.

The Nanima Series offers not just a story, but a spiritual companion. It invites you to walk the path of growth, to listen deeply to the land and your own spirit, and to remember that evolution is both quiet and profound. 

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Waldmeer’s Cast

🌿 Waldmeer Series – Main Character Analysis

Spanning all seven books: Waldmeer, Together, Circles of Separation, Faith, Pittown, Prana, Purnima


Faith-Amira

The spiritual core of the series. A woman who embodies the bridge between personal healing and divine service. She is a seeker and spiritual teacher, and eventually transcends her physical role, continuing to influence the narrative as a spiritual presence. Her arc moves from individual answers to transpersonal, universal devotion. She holds the energetic field of Waldmeer and all its transformations.

  • Archetype: Divine Feminine / High Priestess
  • Trajectory: Grounded healer → Surrendered mystic → Ascended guide
  • Symbolic Function: Catalyst for awakening; embodiment of unconditional love

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The Flat (Book 4 of Nanima Series): Paperboy (Chapters 1 to 2)

Here is the beginning of The Flat (Book 4 of the Nanima Series).

PAPERBOY

Chapter 1: Happy Dreams

“Happy dreams,” said Luna as he opened the bedroom door for Iggy to enter. 

“Sleep well,” said Maliyan as she headed for the bathroom. 

“I will,” said Luna. “The night is so quiet at your house that I feel like I’m in a cocoon.”

He was used to the hustle and bustle, traffic and horns, yelling and late-night laughing of inner-city life.

At the end of his Christmas holiday break, Luna was ready to tell Maliyan that he never left for the northern city and was still in the southern one near her. When he initially decided to move back north, he gave notice on his flat. By the time he decided that he was no longer going, his flat had been leased to someone else, so he was homeless. Maliyan offered him her spare room, assuming he wouldn’t take it. He did take it. The last time they lived together was summer, two years ago, in Nanima, in the shophouse of Luna Tiks.

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The Waldmeer Series is Now Available in 3 Convenient Combined Paperbacks

The 7-book Waldmeer Series: A Spiritual Fiction Series is now available in 3 convenient combined paperbacks (each one containing several books).

Don’t think a spiritual series pussyfoots around life. On the contrary, it looks at life and people honestly. What would be the point of a spiritual path if it didn’t understand the nature of life? It knows the problems. It also has some answers, but those answers can only be seen by those who are aching to see them.

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Geboor (Book 2 of Nanima Series) is Now Available!

Geboor (Book 2 of Nanima Series) is now live! It is available in different formats:

  1. Geboor (paperback and ebook)
  2. Geboor (audiobook)
  3. Nanima Series: Combined Volume Books 1 and 2 (paperback and ebook)

The Nanima Series is a unique story journalling the inner evolution of a spiritual seeker within the context of her relationships and life. It is set in the equally unique environment of rural Australia and has many important messages about the value of the Earth around us and the earth within us. Both ensure our health and happiness.

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Nanima Series Background

Here are some real-life places on which the fictional places of the Nanima Series are based.

  • The fictional town of Nanima is rural Wellington, N.S.W., Australia.
  • The main female character has adopted the Aboriginal name of Maliyan, the Wiradjuri name for wedge-tailed eagle (totem for the Binjang mob of Wellington).
  • Fictional Luna Tiks cafe (Four Cats) is across the road from the empty, pink dance school.
  • Cathedral Cave (Wellington Caves) is where Maliyan meets the spirit of Wandaang, who wants his ancestor’s bones back.
  • The tiny fictional town of Yan Yan Gurt (where Maliyan’s ancestors come from) is Stuart Town.
  • Historic Stuart Town cemetery is the Yan Yan Gurt cemetery where Maliyan senses her ancestor’s spirits.
  • The mystic artist character, Euroka, gets his name from a family property in the area.